Musicianship Classes
Musicianship training is essential to a comprehensive music education and critical to continued growth with instrument and voice study. The study of music theory and development of ear training is a core component of instrument and voice study across all levels of study. As students progress through the School’s sequential and leveled curriculum, they develop music literacy and an understanding of the elements and structure of music. Multiple class formats include experiences in listening, singing, movement, conducting, playing, reading, and notating music, which lead to analyses of repertoire masterpieces, as well as work in improvisation and composition.
Download the 2026-2027 Musicianship Course Listing by Age and Level or please see below for class details.
Chorus
Diller-Quaile’s choruses provide sequential study of choral literature for young voices and the fundamentals of vocal technique. Through the study of choral repertoire spanning various periods and styles, students develop ensemble skills, sight-singing skills, comfort with score reading, and music literacy. Diller-Quaile choruses for grade one and older perform in the school’s large ensemble concerts each semester. A minimum of two years of Chorus is required of all students in first grade or older.
2026-2027 Course Listing
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Wednesdays | 3:30-4:15 PM
Class #132
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Wednesdays | 3:40-4:25 PM
Class #130
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Wednesdays | 4:30-5:20 PM
Class #131
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Mondays | 4:35-5:25 PM
Class #113
Dalcroze Eurhythmics
The Dalcroze approach integrates the ear, mind, and body through natural movement, singing, and improvisation. Through kinesthetic experiences students show what they hear in music. As students walk, run, and gallop, elements of music are identified, such as a regular beat, rhythm patterns, articulation, and nuances. When singing, students use their hands and arms to show the shape of a melody or a phrase. These movements help students feel and internalize the relationship of pitches while tuning the voice and ear to each other. Through improvisation, students explore timbres of rhythm instruments, accompany songs explored in class, and deepen their understanding of music concepts. These experiences lead naturally into music notation. More experienced students are further challenged with exercises in form, meter, and polyrhythms. Students move through an experiential mode to a symbolic mode of understanding music concepts. A minimum of two years of Dalcroze Eurhythmics is required of all students in first grade or older.
2026-2027 Course Listing
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Mondays | 3:00-3:45 PM
Class #114
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Saturdays | 9:00-9:45 AM
Class #160
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Mondays | 3:50-4:30 PM
Class #110
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Thursdays | 4:00-4:40 PM
Class #141
Saturdays | 10:45-11:30 AM
Class #161
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Thursdays | 5:00-5:40 PM
Class #143
Saturdays | 9:50-10:30 AM
Class #162
Great Composers
Students encounter the great works of musical canon, not only for their intrinsic artistic value, but also as textbooks. Students work music concepts and ideas through direct contact with and application to the masterworks of the repertoire. Active listening, score reading, group singing, playing, and conducting are among the experiences that guide students through the material, as they come to place composers, their works, and the musical styles they represent in an historical context. Classes study music of the Renaissance through the Modern Era.
2026-2027 Course Listing
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Wednesdays | 4:30-5:10 PM
Class #133
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Thursdays | 3:40-4:20 PM
Class #140
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Tuesdays | 4:30-5:15 PM
Class #120
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Wednesdays | 6:30-7:15 PM
Class #134
High School Comprehensive
The High School Comprehensive curriculum is a robust course of musicianship study that provides the advancing high school student with sophisticated musical understanding. Through experiences including sight-singing, ear training, dictation, and keyboard harmony, students analyze the rhythm, melody, harmony, phrasing, and form of selected works. Students’ repertoire serves as a springboard for group discussion and analysis, as well as for examples of critical concepts.
2026-2027 Course Listing
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Thursdays | 6:00-6:45 PM
Class #146
Composition
Students compose original music through creative improvisation and guided study of music structure and notation. Students analyze scores through singing, playing, and conducting, then create and revise their own works. Class includes regular workshop performances and discussions where students play each other’s compositions, reflect on musical choices, and give constructive feedback. Students refine their understanding of musical form, development, and ensemble communication through rehearsal and peer collaboration. Admission is by permission of the instructor.
2026-2027 Course Listing
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Thursdays | 6:00-6:45 PM
Class #148
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Thursdays | 6:45-7:30 PM
Class #149
Music Theory & Ear Training
These Kodály based classes develop the complete musician in each student through active listening, group singing, movement, conducting, dictation, sight-singing with solfège, and score analysis. Through the study of folk and composed music appropriate to their level of experience, students build music literacy and an understanding of the elements and structure of music. Individual, partnered, and group improvisations support and deepen their musical understanding. These experiences with improvisation lead naturally to individual and group compositions.
2026-2027 Course Listing
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Tuesdays | 6:15-6:00 PM
Class #121
Fridays | 3:45-4:30 PM
Class #150
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Tuesdays | 5:30-6:15 PM
Class #122
Thursdays | 5:15-6:00 PM
Class #144
Fridays | 4:35-5:20 PM
Class #151
Saturdays | 10:00-10:45 AM
Class #163
Musicianship for Young Learners
In these Kodály based classes, young students explore music through active listening, group singing, movement, musical games, and conducting. Through the study of folk and traditional music appropriate to their level of experience, students begin to build music literacy and an understanding of the elements and structure of music. The curriculum is shaped to the needs, interests, and skills of each individual class.
2026-2027 Course Listing
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Fridays | 3:45-4:30 PM
Class #152
Orff Ensemble
Through speech, group singing, movement, and instrument playing, students explore music concepts, build music literacy, and come to understand the elements and structure of music. The Orff Ensemble plays recorders and non-pitched and pitched percussion instruments, such as drums, wood xylophones and metal glockenspiels. Students read, improvise, and compose ostinati and varied accompaniments to music from diverse cultures in a creative classroom setting.
2026-2027 Course Listing
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Tuesdays | 3:45-4:25 PM
Class #124
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Mondays | 3:45-4:25 PM
Class #111
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Mondays | 4:30-5:15 PM
Class #112
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Thursdays | 4:30-5:15 PM
Class #142
Piano Improvisation
Piano Improvisation focuses on the development of keyboard skills necessary to utilize the piano as a tool for a comprehensive understanding of a range of genres. Students learn how to harmonize melodies and improvise, using different accompaniments and chord progressions. In addition, students are introduced to jazz progressions, chord structures, and jazz theory.
2026-2027 Course Listing
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Thursdays | 6:30-7:15 PM
Class #145
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Thursdays | 7:15-8:00 PM
Class #147
2026-2027 School Year
Applying for Instrument or Voice Study
Application Process
Register
Click the "Apply for the 2026-2027 School Year" button on any program page to begin your application and fill out the scheduling form.
Placement Interview
If you/your child is new to instrument study at Diller-Quaile, the Department Coordinator will contact you to arrange a placement interview with the Department Head. During the interview, experienced students will perform one of their current pieces, while beginners will have the chance to try an instrument.
Program Planning
After the interview, the Department Head will collaborate with you/your family to develop a personalized program and schedule.
For questions, please email the Department Coordinator at jkantola@diller-quaile.org.
For questions about current 2025–2026 school year enrollment, please email jkantola@diller-quaile.org .